Jumat, 30 Mei 2014

[H981.Ebook] Download Ebook Triumph of Justice : Closing the Book On the Simpson Saga, by Daniel Petrocelli, Peter Knobler

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Triumph of Justice : Closing the Book On the Simpson Saga, by Daniel Petrocelli, Peter Knobler

When Daniel Petrocelli was first approached to represent the family of Ron Goldman in the O.J. Simpson civil trial, he was one of the few people in America who had paid little attention to the Simpson criminal trial. His first inclination was to turn down the case. But as friends and clients urged him to accept, as he got to know not only the Goldmans but the facts of the case and the human tragedy lurking behind it, Petrocelli realized this was something he had to tackle head on.

Never having tried a murder case, putting his firm's considerable reputation at risk, confronting a media swarm for which he was totally unprepared, and facing an overwhelming financial disadvantage, Petrocelli nonetheless went on a personal and increasingly passionate mission to bring about justice. Triumph of Justice is a chronicle of that mission.��Petrocelli's insights, observations, and inside information not only show us how he convinced a jury to find O.J. Simpson liable for $33.5 million in the deaths of Nicole Brown Simpson and Ron Goldman--proving to the American people that their legal system does indeed work--he also makes the story a compelling and exciting legal read.

Among the revelations detailed in these pages:
Petrocelli's ten-day, no-holds-barred deposition of O.J. Simpson
What Petrocelli learned from the incendiary depositions and interviews of Kato Kaelin, Faye Resnick, Marcus Allen, A.C. Cowlings, and others
The surprising realizations that emerged from a mock jury trial, which Petrocelli lost
His dramatic face-to-face courtroom confrontation with O.J. Simpson on the witness stand
What happened that night in Brentwood

Petrocelli also offers insight into the larger issues--of race, wealth, celebrity, and police competence--surrounding the case. He places the trial in its proper context and, in so doing, examines legal questions and issues about our justice system that affect and reflect upon every one of us.

Triumph of Justice proves, conclusively, that O.J. Simpson told lie after lie and that he did indeed kill his ex-wife and an innocent man. It is the story you haven't heard about the trial you didn't see and is the closest, most in-depth look at an important murder case since Helter Skelter.

  • Sales Rank: #604765 in Books
  • Published on: 1998-04-25
  • Released on: 1998-04-25
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 6.50" w x 2.25" l,
  • Binding: Hardcover
  • 644 pages

Amazon.com Review
Daniel Petrocelli is the attorney who represented Fred Goldman and his family in their civil suit against O.J. Simpson for the death of their son Ron. (As such, he also coordinated the simultaneous prosecution of suits brought by Ron Goldman's biological mother and by the estate of Simpson's ex-wife, Nicole Brown Simpson.) In Triumph of Justice, Petrocelli tells readers how he was able to succeed where Marcia Clark and Chris Darden failed, convincing a jury that Simpson was indeed liable for the deaths of Goldman and Brown Simpson.

Petrocelli takes us behind the scenes, revealing how he got--and almost lost--the job soon after Simpson walked out of the criminal trial. He goes through rigorous depositions and cross-examinations in nearly complete detail, poking holes in Simpson's ludicrous alibi. Although he has very little good to say about Simpson (whose football exploits he admired before taking on the case), Petrocelli does have professional compliments for his legal adversaries. It's an important element to note--unlike other books from Simpson trial insiders, Triumph of Justice doesn't have aggrandizement or apologies for its author as the top priority. The mission here is simple--to tell the story of how justice was done--and Petrocelli achieves his objective nobly.

From Library Journal
The Goldman family's lawyer takes apart the Simpson case.
Copyright 1997 Reed Business Information, Inc.

Review
Although the Simpson testimony is the most dramatic part of the book, Triumph of Justice is also a fascinating legal procedural. -- The New York Times Book Review, Barry Gewen

Most helpful customer reviews

41 of 44 people found the following review helpful.
outstanding
By Will o' the Wisp
The definitive book on the Simpson case. Daniel Petrocelli and his fellow lawyers brilliantly dissected and debunked every myth about the Simpson case. I found the book very entertaining and well written and an excellent primer on how to do direct and cross examination of a witness.

The book also demonstrated the powerful differences between a criminal prosecution and a civil lawsuit. The plaintiff lawyers brilliantly used the civil rules of discovery to their benefit. They made a discovery demand for Simpson to provide all the evidence he had of any sort of police conspiracy, contaimination of evidence, evidence of any third party who did the murder, etc. Simpson could not produce a single piece of evidence to support any of these theories. And since he could not produce any such evidence, the court properly refused to allow him to argue those theories at trial. Trials are solely about what can be proven and disproven. They are not forums to throw out every cockamaimie theory you can come up with (the criminal trial in this case).

The civil rules also required Simpson to submit to "requests for admission" a powerful mechanism to reduce what has to be proven at a trial---if the opponent admits it, you don't have to prove it. Simpson had to admit that the blood collected at Bundy and in his car was his. And he had absolutely no evidence whatsoever to back up any claim that it was planted.

The civil rules also required Simpson to submit to a deposition and to testify at the trial. If he had refused to testify, he would've forfeited the case. And of course in his deposition and in his trial testimony he lied continuously and in easily provable ways. For every lie he gave the plaintiffs had one and usually at least two different witnesses to impeach Simpson, often testimony from his close friends, Taft, Cowlings, Kardashian and his estranged girlfriend Paula Barbieri, amongst others.

Finally, and most devastatingly, they found the photos of Simpson wearing the same shoes that were worn by the killer at the murder scene. Simpson had previously denied ever owning such shoes. And to try and debunk the photo? He brings in a kooky JFK conspiracy buff as his photo "expert". Then when 30 other photos from a different photographer show up, one of them printed in a newspaper 8 mo before the murders, the game was over for Simpson.

An innocent man doesn't have to lie when he's on trial. Simpson lied. I thought the most powerful argument that Petrocelli made in his rebuttal was concerning the attempt by Simpson's lawyers to trash the reputation of Ron Goldman. If Simpson was truly innocent, why would he try to trash and debase the memory of Ron Goldman? According to Simpson's theory, Ron Goldman died fighting to save the life of the mother of Simpson's children! In fact, if there really someone else who did the murder, then Goldman's heroics might've prevented the killer from going into the home and murdering Simpson's children. But instead Simpson's lawyers ended up mocking Ron Goldman. Only a guilty man does that.

16 of 16 people found the following review helpful.
A thorough and engrossing look at the Simpson Civil suit
By bonilloa@teleport.com
I found Petrocelli's book utterly engrossing. I admit now that I was a Simpson trial junkie. Perhaps because of my disgust with the first outcome, it was with excitement that I picked up Petrocelli's book; I was not disappointed. Petrocelli's finest accomplishment with this book is showing how utterly shameless Simpson is. Petrocelli does not hide his incredulity, as well he shouldn't. Using sworn documents and other statements and materials, Petrocelli shows step by step Simpson's repeated attempts to obfuscate, attenuate, and ameliorate. Petrocelli also succeeds in voicing the reader's thoughts, as when he makes comments on specific Simpson lies; he knows what the reader is thinking. If you read one more book on Simpson, make it this one. "After you read this Simpson bible, you must find him liable."

11 of 11 people found the following review helpful.
An outstanding perspective of legal management!
By rjreidy2@aol.com
Was drawn to this book because I had seen Daniel Petrocelli on various talk shows. His explanation and legal rationale relative to the important legal and social issues of this case caught my attention. Prior to the publication of his book, I had not read any books relative to the O J case. Petrocelli provides the reader with a behind the scene view as to the strength of his leadership and managerial skills. He was faced with a huge task of evaluating the mountains of legal testimony and evidence from the original case. Where to start? Where would the money to put on a first class case come from? Who should be involved? He takes the reader on his personal journey from the early stages as to whether he should take the case,through his approach to key individuals in his law firm, the rationale he used for delegation, as well as expressing the personal doubts he encountered both prior to and during the case. Soon the reader feels his obsession, his passion and distaste for Simpson, but is still able to become focused enough to develop a very cogent legal strategy. The book certainly is a must reading for any law student because of its awareness in how important it is to have good case preparation. Such an approach may be taught in law school, but when done in an effective way as outlined by Petrocelli, it can be a realistic learning experience. It is even recommended reading for experienced trial lawyers who have an opportunity to reinforce what it takes to develop a thoroughness of legal preparation whenever they represent a client. Petrocelli provides a high quality sense of reality for legal scholars and practioners as to what clients should expect from a legal team in a high stakes winner take all game. The purchase of this book is worth the investment.

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Kamis, 22 Mei 2014

[A872.Ebook] Ebook Fluid, Electrolyte and Acid-Base Physiology: A Problem-Based Approach, by Kamel S. Kamel, Mitchell L. Halperin

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With a strong focus on problem solving and clinical decision making, Fluid, Electrolyte, and Acid-Base Physiology is your comprehensive, go-to guide on the diagnosis and management of fluid, electrolytes, and acid-base disorders. This in-depth reference moves smoothly from basic physiology to practical clinical guidance, taking into account new discoveries; new understanding of fluid, acid-base, and electrolyte physiology; and new treatment options available to today’s patients. An essential resource for nephrologists and emergency practitioners, this extensively revised edition helps you make the best management decisions based on the most current knowledge.

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  • Sales Rank: #67716 in eBooks
  • Published on: 2016-10-07
  • Released on: 2016-10-07
  • Format: Kindle eBook

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Terrific and interesting book. Having read Beowulf in high school, I figuered it only fair to read the story from the other side. I read Grendel back in the 70s and never forgot it. I'm giving this book to son as a birthday gift, hoping he takes the many lessons offered in this novel through the rest of his life.

  • Sales Rank: #46813 in Books
  • Published on: 1971-01-01
  • Original language: English
  • Binding: Paperback

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1 of 1 people found the following review helpful.
A worthwhile read
By Glenn Raff
Terrific and interesting book. Having read Beowulf in high school, I figuered it only fair to read the story from the other side. I read Grendel back in the 70s and never forgot it. I'm giving this book to son as a birthday gift, hoping he takes the many lessons offered in this novel through the rest of his life.

0 of 0 people found the following review helpful.
i read this in high school
By allylang
i loved the fact that we see Grendel as his own character and learn how he sees the world. i loved my high school english teacher he made us think and look at the characters a different way.

0 of 0 people found the following review helpful.
Fast!
By savannahsskye
Speedy shipping, but there was a little more wear and tear than I thought it would have. Buts it's cool!

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Selasa, 20 Mei 2014

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  • Sales Rank: #3003617 in Books
  • Published on: 2011-11-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.76" h x .9" w x 5.84" l, .10 pounds
  • Binding: Misc. Supplies
  • 672 pages

About the Author
Robert J. Gordon is the Stanley G. Harris Professor in the Social Sciences at Northwestern University. His books include "Productivity Growth, Inflation, and Unemployment" and "Macroeconomics". Gordon was included in the 2013 Bloomberg list of the nation s most influential thinkers.

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Jumat, 16 Mei 2014

[O841.Ebook] Get Free Ebook Would You Baptize an Extraterrestrial?: . . . and Other Questions from the Astronomers' In-box at the Vatican Observatory

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Would You Baptize an Extraterrestrial?: . . . and Other Questions from the Astronomers' In-box at the Vatican Observatory

  • Sales Rank: #456459 in Books
  • Published on: 1900
  • Binding: Hardcover

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Kamis, 15 Mei 2014

[B731.Ebook] Ebook Caribbee: A Kydd Sea Adventure (Kydd Sea Adventures Book 14), by Julian Stockwin

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Caribbee: A Kydd Sea Adventure (Kydd Sea Adventures Book 14), by Julian Stockwin

As the captain of a useful frigate, Kydd is claimed by the Leeward Islands station, exchanging the harsh situation in South America for the warmth and delights of the Caribbean. It’s a sea change for Kydd, who revisits places and people that figured in his time as a young seaman. Some are nostalgic and pleasing, while others bring challenges of a personal nature. In Europe, Napoleon is triumphant on land, but so far away in the Caribbean, Kydd and the others feel secure and make the most of running down prizes and sending off fat convoys of sugar to England. But, in a stroke of genius, Bonaparte finds a way to take revenge for Trafalgar and shocks Kydd out of complacency when an element from his past returns and Kydd is accused of murder. In a stroke of irony, it is that same past that may just provide Kydd the means to clear his name.

  • Sales Rank: #103551 in eBooks
  • Published on: 2013-11-01
  • Released on: 2013-11-01
  • Format: Kindle eBook

Review
Fans of fast-paced adventure will get their fill with this book. Historical Naval Society on The Admiral's Daughter Stockwin's writing is enriched by his own experiences in the Royal Navy, whcih gives scenes of fighting and tempest an authenticity to delight anyone who shares his passion for the sea. Daily Telegraph Paints a vivid picture of life aborad the mighty ship-of-the-line Daily Express 'More historically accurate than the Patrick O'Brian series' Royal Navy Sailing Association journal on the KYDD series 'This heady adventure blends fact and fiction in rich, authoritative detail.' Nautical Magazine on VICTORY

About the Author
Julian Stockwin was sent at the age of fourteen to Indefatigable, a tough sea-training school. He joined the Royal Navy at fifteen before transferring to the Royal Australian Navy, where he served for eight years in the Far East, Antarctic waters and the South Seas. In Vietnam he saw active service in a carrier task force. After leaving the Navy (rated Petty Officer), Julian practised as an educational psychologist. He lived for some time in Hong Kong, where he was commissioned into the Royal Naval Reserve. He was awarded the MBE and retired with the rank of Lieutenant Commander. He now lives in Devon with his wife Kathy. More information can be found on his website at www.JulianStockwin.com.

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0 of 0 people found the following review helpful.
His books began as a poor man's version of Patrick O"Brian
By Chris Harrington
Julian Stockwell has improved with every volume. His books began as a poor man's version of Patrick O"Brian . However since Number10 he has really come alive . His problem is that the relationship between Renzi and Kydd isn't as interesting or developed as O"Brians principals .Its getting better but the development is slow .

0 of 0 people found the following review helpful.
KIDD
By bjmsailor
LOVE THIS SERIES AND LOOK FORWARD TO PASHA!!! So start the series and you will be entertained to months.
Bjmsailor (I sail the Chesapeake)

0 of 0 people found the following review helpful.
Four Stars
By John E. Spessard
It was one of his average efforts. Writing is getting harder for him.

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Senin, 12 Mei 2014

[A381.Ebook] Ebook Download The New Testament: Its Background Growth and Content 3rd Edition, by Bruce M. Metzger

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The New Testament: Its Background Growth and Content 3rd Edition, by Bruce M. Metzger

This text is a classic by one of America's most widely respected New Testament scholars. It provides a clear and comprehensive introduction to the New Testament. In a straightforward and understandable style--without distortion or oversimplification--Prof. Metzger closely examines the historical background and content of the New Testament and details the role of scribes and translators in handing the Scriptures down through the centuries. Utilizing the finest modern scholarship, Dr. Metzger looks at the people, societies, and events that produced the New Testament. Palestinian Judaism, Greco-Roman paganism, sources of our knowledge of Jesus Christ, essential aspects of Christ's teaching, sources and chronology of the apostolic age, the work of Paul, the general letters, and the Book of Revelation are all clearly illuminated. The Second edition of this book added an appendix on the formation of the canon of the New Testament and the work of scribes. The third edition will represent a substantial update of the 1965 text based on the New Revised Standard Version. In addition to stylistic changes, the author updates the text regarding research on the Dead Sea Scrolls and the Nag Hammadi tractates. This edition adds a glossary, 30 graphics and photos, and is resized to a larger 6x9 page.

  • Sales Rank: #564643 in Books
  • Published on: 2003-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.10" h x 6.06" w x 9.44" l, 1.41 pounds
  • Binding: Hardcover
  • 370 pages

About the Author
Visiting Assistant Professor of Religion at Luther College, Decorah, IA

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12 of 13 people found the following review helpful.
fascinating, full of invaluable information and very readable
By Sheila Deeth
My son's gone back to college. He left this book lying around on his bedroom floor, so I decided to read it. After all, I'm leading a Bible study on the book of Mark on Tuesday mornings. Knowing more about the New Testament, Its Background, Growth and Content, can only help.

Since the book was clearly a college text book I wasn't sure how far I'd get. After all, college texts can be really slow to read. But I actually finished the book in two days and could scarcely put it down.

Since I grew up with a "Catholic" Bible, I was fascinated to learn more about the history of intertestament times and the Maccabean revolt. The insights into all the different groups of people in Judea at the time of Christ help bring a lot of the Gospel stories and Christ's teachings to life. And the information on local customs, in action and in speech, are truly amazing.

Interesting examples included the use of Judean overstatement (as opposed to British understatement I suppose), and picturesque speech (logs and specks in peoples' eyes). Rhythm and puns that we miss in translation were quite fascinating too. And the insights into how texts were collected, combined, used and preserved make the whole question of where our New Testament comes from much more interesting and well-grounded, besides providing a logical background to modern arguments about "hidden" and "lost" books.

I liked the fact that the author didn't shy away from difficulties. He doesn't assume that every word in some favorite translation is perfectly preserved, but instead looks at how the translations were made, how changes crept in, and how well-researched the analysis of those changes is. I've always known that the historical evidence for the Bible rivals and probably beats that for the Roman documents I studied in Latin in school, but it was nice to see the arguments so clearly laid out.

I really enjoyed this book. I don't know that I'm ready to take an exam on it, and I probably don't want to go back to college to find out. But I'm glad my son left it lying around.

63 of 66 people found the following review helpful.
Conservative, Informative, Readable
By David J. DeVore
This is one of the few college textbooks I did not have to use my highlighter to read. Metzger is extremely easy to understand; he structures his book chronologically, covering, albeit briefly given the spatial limitations of a short introductory text, most every topic the reader must understand to gain a basic knowledge of the context of the NT's development. The reader first will gain a basic understanding of the cultural context from which the New Testament arose, then will learn about the life of and sources for understanding of Jesus Christ, then finally will see the same for the apostolic age. His prose is lucid and lacks the pedantry of much New Testament scholarship, which will assist the reader in understanding such scholarship.

In assessing Metzger's positions, the reader must keep in mind that, as he plainly states in his preface, Metzger writes as a Christian. As such, he does not dispute traditional authorship for the majority of the New Testament (with the notable exception of 2 Peter), and argues that the evidence for Christ's resurrection is "overwhelming." Readers looking for the consensus of scholars on issues so contentious to conservatives will not find this book to their liking. That said, Metzger generally does well, given how little space he has, of presenting most sides of various debates and leaving it up to the reader to do further research necessary for finding his own opinion. Since this must be the objective of an introductory text, the text succeeds.

2 of 2 people found the following review helpful.
Good Reference, Good Supplement to Bibliology
By M. E. Dungo
It was a good careful read, and served as a good supplement for Bibliology. Properly structured and well written. I intend to keep it as reference.

One has to be somewhat familiar with New Testament history to be able to read through. Its not a beginner-out-of-nowhere reading.

I am looking to extend my readings on his work with his more controversial- The Shepherd of Hermas and The Epistles of Clement- which caused a bit of an uproar with Evangelical Christians. Even in the subject of Christianity- a little naughty tabloid-type preference never hurt.

I recommend this book for anyone in Bible College as a very good reference on the New Testament.

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Jumat, 09 Mei 2014

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Lost in the City, by Edward P. Jones

“Original and arresting….[Jones’s] stories will touch chords of empathy and recognition in all readers.”
—Washington Post

�“These 14 stories of African-American life…affirm humanity as only good literature can.”
�—Los Angeles Times

A magnificent collection of short fiction focusing on the lives of African-American men and women in Washington, D.C., Lost in the City is the book that first brought author Edward P. Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.

  • Sales Rank: #256600 in eBooks
  • Published on: 2009-10-13
  • Released on: 2009-10-13
  • Format: Kindle eBook

From Publishers Weekly
Young and old struggle for spiritual survival against the often crushing obstacles of the inner city in these 14 moving stories of African American life in Washington, D.C. Traveling street by street through the nation's capital, Jones introduces a wide range of characters, each of whom has a distinct way of keeping the faith. Betsy Ann Morgan, "The Girl Who Raised Pigeons," finds inspiration in the birds she cares for on the roof of her apartment building. Middle-aged Vivian Slater leads a hymn-singing group in "Gospel." The narrator of "The Store" labors to build up a neighborhood grocery; in "His Mother's House," Joyce Moses collects photographs and cares for the expensive home her young son has bought her with his crack earnings. Depicting characters who strive to preserve fragile bonds of family and community in a violent, tragic world, Jones writes knowingly of their nontraditional ways of caring for one another and themselves. His insightful portraits of young people and frank, unsensationalized depictions of horrifying social ills make this a poignant and promising first effort.
Copyright 1992 Reed Business Information, Inc.

From School Library Journal
YA-- In these 14 stories set in black neighborhoods of Washington, DC in the '60s and '70s, Jones establishes a mood and a specific sense of place, but he also presents universal hopes and aspirations. Beautifully and economically written, the selections are filled with revealing details of poverty and degradation, and yet the protagonists are survivors who look to find hope and meaning in their lives. The haunting, grainy black-and-white photographs add to the real, though slightly hazy, atmosphere and reveal the underlying grit portrayed so evocatively in the prose. A more-than-worthwhile addition. --Susan H. Woodcock, Potomac Library, Woodbridge, VA
Copyright 1993 Reed Business Information, Inc.

From Library Journal
As Academy Award-nominated director John Singleton said of the violence in his film Boyz N the Hood , "It's what's goin' down in America." Jones addresses similar sociological realities in his collection of 14 short stories, writing affectingly of African American life in our nation's capital. This is not the Washington of monuments, tourists, and the federal government; rather, it is the darker side of the city. Jones describes the harsh realities of life that exist for some African Americans in our society: a young aspiring singer shot dead by her boyfriend (the father of her child), a young man thieving to earn a living, a daughter desperately searching for the "why" in her mother's stabbing death. Although these experiences will be unfamiliar to many readers, Jones instills humanity in his characters and stories. He depicts people struggling to overcome adversity and survive in a dangerous world. For popular collections.
- Kimberly G. Allen, National Assn. of Home Builders Lib., Washington, D.C.
Copyright 1992 Reed Business Information, Inc.

Most helpful customer reviews

31 of 32 people found the following review helpful.
Phenomenal!
By Amazon Customer
I have a strange suspicion that I would not have read Lost in the City if Edward P. Jones had not won the Pulitzer Prize for The Known World. And I think that would have been a big, big mistake.

This is an excellent collection of short stories, even for someone who doesn't really know a thing about Washington, D.C. or the people who live there. The stories aren't short stories in the most traditional sense - they don't end with surprising or inevitable events or revelations. But each and every glimpse into the lives of these characters is interesting, thoughtful, and specific. Jones manages to paint a colorful, human, and memorable picture of the lives of each of the characters he introduces.

Perhaps the most arresting part of his the stories, for me, is the language. There are so many passages that I will remember, but I will only share a few. In the story "Young Lions," a character named Caesar says to his girlfriend that he loves her:

"I'm glad you told me," she said. "I was beginning to wonder. You made my day."

He promised to fix her dinner before to went to Manny's and he told her once again that he loved her.

"I wish I could record that," she said, "and play it back any time I wanted."

These lines alone told me so, so much about the girlfriend, Carol, and I know that I won't forget her. Later, a character in a story called "The Sunday Following Mother's Day" notes that her father "sounded like every black country person she had ever heard, those people who talked of fetchin this and wearin britches and someone commencin to do such and such." I laughed out loud, because I, too, know some of these country people, and Jones's description is perfect. In the last story, "Marie," Jones write that Marie "was eighty-six years old, and had learned that life was all chaos and painful uncertainty and that the only way to get through it was to expect to chaos even in the most innocent of moments. Offer a crust of bread to a sick bird and you often drew back a bloody finger."

Another delightful aspect of the book is that characters don't disappear at the end of a story. The two teenage girls who appear briefly in "The Night Rhonda Ferguson Was Killed," pregnant and moving in together, show up again as adults with 20-year old sons in "His Mother's House." Two other characters in "Rhonda Ferguson" also appear in their own story in "A Butterfly on F Street." There are a few other characters who appear twice, and I believe that several minor characters in this collection will appear in Jones's next short story collection, which should be published this year. (One of the stories was already published in the New Yorker.) I can't wait to read them all.

21 of 21 people found the following review helpful.
Great Collection by a Gifted Writer
By Jonathan Carr
This collection, first published in 1992, was considered Jones's first literary effort. I find this idea of firsts interesting and would like to look at it briefly before I move on to a few of the craft elements in his stories that I would most like to steal.

This collection of short stories was published a decade before Jones won the 2004 Pulitzer Prize for his novel "The Known World." Some of the stories in the collection were first published in the 1980s in literary magazines like Ploughshares and Callaloo. One of the stories "Marie" also appeared in the Paris Review in 1992. The thing that I find interesting is that these publications do not seem to register with the general public or even reviewers. Instead, his books are presented as sudden, award winning events. Instead of a writing career spanning 25 years of craft and respectable publications, we are presented with the image of a of sudden event, a spectacular storm, a writer whose first novel won the Pulitzer Prize.

In any event, the first thing I did when I opened "Lost in the City" was to read the opening lines of each story. I wanted to see how and where he began his stories. I was thinking of an essay by Debra Spark called "Getting In and Getting Out." The essay appears in "Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life." There is an anecdote in the essay about a friend the author who is screening stories for the Iowa Short Fiction Prize. She says, "If I have to read another story that begins `The alarm clock rang,' I'll shoot myself."

Although I have never started a story with this particular phrase, I do tend to begin a story at the beginning. So as I read through the Jones collection I paid particular attention to the places he began his stories.

In "The Girl Who Raised Pigeons," Jones begins the narrative at some undefined future moment when the crisis of the story has already forced the characters' world to change. "Her father would say years later that she had dreamed that part of it, that she had never gone through the kitchen window...." The story never travels completely forward into the world from which these first lines are described. However, the story does end with a certain inevitability--a sort of narrative arc that points forward so that we understand how the characters arrive to the point we find them in the opening of the story.

"The Girl Who Raised Pigeons" covers a lot of ground in twenty-five pages. It outlines the decay of a Black, D.C. neighborhood and shows us how that decay affects the community. On one level it is a story about a father's coming to fatherhood as well as his young daughter's coming of age. It is about the place and the power of the natural world even in the urban environment. It is about an urban Black community on the edge of change.

The narrative is carried along by the story of the young girl and her pigeons. The story is usually told through a close third person narrator; however, the point of view does shift at times from the young girl, Betsy Ann Morgan, to other characters. These shifts offer insight into the community in which Betsy and her father live. But these shifts seldom last for more than a line or two and then quickly move back to Betsy.

I paid close attention to these shifts in point of view. But before I discuss them I would like to think a bit more about where these stories begin.

Another story that begins post-crisis is "The First Day." The story opens with the line: "On an otherwise unremarkable September morning, long before I learned to be ashamed of my mother, she takes my hand and..." This is the story about a child's first day of school. The story is short, only 5 pages, but it has taken a common event, a child's first day of school, and uses it to point out the divisions between social classes in the Black community. One of the interesting things about this story is that it is told in the first person. The protagonist never reaches the crisis described in the first line within the span of the story. The narrator shows nothing but love and admiration for her mother throughout the course of the story. We are lead by that single clause, "long before I learned to be ashamed of my mother," and the trajectory of the story to understand that the protagonists shame is inevitable.

I find it fascinating that he entire story hinges on this single clause. We never see a hint of shame in the narrator aside from her opening line. If that clause were deleted we would not necessarily know that the narrator would ever come to be ashamed of her mother. But knowing this first line and following the trajectory of the story we know that the crisis and the change are inevitable.

Jones also opens his stories from the middle. The narrator then takes the story back to that middle before moving farther forward. He does this in the story "A New Man."

"A New Man" begins with the lines, "One day in late October, Woodrow L. Cunningham came home early with his bad heart and found his daughter with two boys." The narrative eventually makes its way back to explain exactly how Woodrow came to find his daughter with two boys, but it does not stop there. The narrative continues. It carries the story farther. We come to understand exactly what this event means in the life of Woodrow and how it comes to define his essential character.

Now, rather than continue with this idea of how or where Jones begins his stories, I would like to move on to two other divices Jones uses: point of view, and the idea of epiphany and change within a character.

As I mentioned earlier, Jones does not shy away from changing the narrative point of view if it serves the story. But the places where he shifts point of view seem to be dependent on a few things. He only ever shifts in a third person narrative. The point of view never shifts for more than three or four sentences. The point of view only shifts in stories that are 20 pages in length or longer. He always quickly brings the point of view back to its original place.

It is the brevity in the shift that I find most interesting. It is like one of those little flashes of insight that Woolf wrote about--matches struck unexpectedly in the dark--or the mirror in Joyce's "The Dead." The shift lets us see for a moment how the character looks within their world. For example the title story of the collection, "Lost in the City," is told by a close third person narrator. However, there are two moments in the story where the focus shifts from the protagonist, Lydia Walsh, to her taxi driver. The first shift occurs about two thirds through the story: "He thought that maybe she had been born elsewhere, that she did not know Washington, would not know the streets beyond what the white people called the federal enclave." This shift in point of view ends quickly. The narrator brings our focus back to Lydia. "But in fact, the farther north he went, the more she knew about where they were going."

At the end of "Lost in the City," the point of view again shifts for a moment. "The cab driver thought that her crying meant that maybe it had finally hit her that her mother had died and that soon his passenger would be coming to herself."

I suspect that it is the brevity of these shifts that make them work. Another aspect of these shifts is the fact that they are subtly revealing--not deeply or overtly revealing--and they are always revealing something in the protagonist. These shifts in point of view seem to stress the importance of community in these stories. They show, however briefly, that these characters do not live in isolation, that on some level they are always aware of themselves within the context of others--or perhaps it is that we should always be aware of them within the context of a greater community.

The final aspect of this collection of stories that I would like to look at relates to an issue raised in an essay by Jim Shepard titled, "I Know Myself Real Well. That's the Problem." In this essay, Shepard criticizes the tendency for novice fiction to create characters who are "whooshing along the conveyor belts" of narrative toward some kind of epiphany. Given that my stories have this tendency, I am curious how Jones creates a sense of movement and revelation without allowing his characters to fall into that whooshing conveyor belt.

One way that Jones avoids this narrative conveyor belt is by beginning the story someplace other than the beginning and ending the story in a place that points to the inevitability of change or crisis, but he does not necessarily show us that change or crisis. This can also be seen in the story, "The First Day." We do not experience the moment when the narrator becomes ashamed of her mother. We are told in the opening line that the narrator will indeed one day be ashamed of her mother. We are lift at the end of the story with the inevitability that, despite the strength and character of the mother, the child will one day become as ashamed of her as other members of the community.

Often in this collection of stories the narrator is not even aware of his or her change. The reader senses that something is in fact permanently altered, but it is difficult to say exactly what that thing is. At the close of the story "My Mother's House," we do not find the protagonist, a mother whose biological son has just murdered by her godson over a dispute involving drugs and money, in the throws of some sort of epiphany.

Her husband, who is not the father of either child, works as a bodyguard for her biological son. Her husband skulks away from the scene of the crime, leaving her in the street to comfort her dieing godson. She has always known that her husband was a weak man. At the close of this story we find the protagonist drinking a fifth of vodka and walking from room to room in the house her drug-dealing son purchased for her. She unlocks all the doors and windows, "for Santiago (her son) had no key to her house. And outside that house there was a very cruel would and she did not like to think that her child was out there without a place to come to."

The protagonist knows throughout the story that the world is indeed cruel. The cruelty is not a revelation. Nor does she necessarily seem poised to make some sort of change. In fact, she opens her house in a rough neighborhood so that her son, who has just murdered her godson and pointed a gun at her face, may come into the house for comfort.

Perhaps the real change at the end of this story takes place in the reader. After we have experienced this world, we can never view these characters or their world in the same light--we will never be able to read this story in the same way again.

In the end, there are still many more aspects of this collection that will occupy me throughout the coming months. I have marked my copy of the book with many notes. I find myself referring back to them often.

12 of 13 people found the following review helpful.
Extraordinary
By Martha B. Spencer
Jones is a very gifted writer; his characters are so believable and real. These are not the happiest of stories, but the quality of his writing is extraordinary. The two stories that stood out for me were "Orange Line to Ballston" and "Marie." Marie is an elderly woman who has outlived three husbands and must deal with the indignity of going for interviews at the Social Security office to be sitting there for hours on end long past the time for her appointment and treated as if she were invisible. Poignant and beautiful portrait of old age.

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Senin, 05 Mei 2014

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Lateral Thinking: A Textbook of Creativity by Edward de Bono (2009-11-12), by Edward de Bono;

  • Published on: 1800
  • Binding: Paperback

Most helpful customer reviews

2 of 2 people found the following review helpful.
Must Read for Teachers
By Gary Pandolfi
Edward de Bono's text is a must read for teachers who wish to foster independent thinking in their students and show them that seeing problems in new ways can lead to creative, worthwhile solutions.

1 of 4 people found the following review helpful.
Valuable book for me
By Arrowcatcher
The book was meaningful to me as I found out that I'm evidently a natural lateral thinker. I've been doing it for years but didn't have a label for it until this month. People label me "creative" based on my arts and technology projects over a period of years. I realized I didn't need to do any of the exercises in the book since I was already there. Lateral thinking is my default, and I didn't know it. I'm first lateral and then test later with vertical logic. So the book was a personal epiphany.

27 of 47 people found the following review helpful.
Excellent
By Michael Michalko
I'm the author of "Thinkertoys" and "Cracking Creativityy." This book is a classic. Everyone interested in creative thinking should buy it and read it.

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