[Q724.Ebook] Get Free Ebook Contemporary Diplomacy, by Geoffrey Pigman

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Contemporary Diplomacy offers a comprehensive introduction to the changing actors, venues, processes and functions of diplomacy in the 21st Century. Aimed at students and practitioners alike, this textbook explores the critical theoretical tools that can be employed to understand diplomacy and its evolution since the end of the Cold War. It also shows how the study of diplomacy can contribute to the analysis of 21st Century conflict and international relations more broadly.

The book is divided into 2 main parts: part I focuses on diplomatic actors and venues: from the traditional nation-state actors of classical diplomatic studies to newer types of actor, such as multilateral organizations, supranational polities, global firms, civil society organizations and eminent person diplomats. Part II examines diplomatic processes and functions, reconsidering the core diplomatic functions of representation and communication in light of new communications technologies and the increased importance of public diplomacy. It looks in-depth at specific functional areas of diplomacy - including economic, military and security, and cultural diplomacy � and how they are managed. The concluding chapter reflects more broadly on the relationship of diplomatic theory to practice and considers the range of challenges facing diplomats today.

This book will be essential reading for students of diplomacy, politics, international relations and conflict studies.

• Sales Rank: #1290951 in Books
• Brand: Brand: Polity
• Published on: 2011-02-07
• Released on: 2010-12-17
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .74" w x 6.00" l, .83 pounds
• Binding: Paperback
• 288 pages

Features

• Used Book in Good Condition

Review
"This book is a must-read for anyone who wants to understand global interactions through diplomacy and, in particular, the role of diplomacy in today's turbulent world."
Selwa Roosevelt, former United States Chief of Protocol

"Contemporary diplomacy is being handled by larger numbers of people dealing with a larger number of issues than ever before. Its methods and its structures are evolving, sometimes creakily, to match. This book gives the first complete account of where and why these changes are occurring and it is simply essential reading for all who study diplomacy and its place in 21st-century global governance."
Richard Langhorne, Rutgers University

"This incisive study straddles with ease the theoretical and practical worlds of diplomacy. A valuable and timely addition to the literature with several novel features on the role of non-state actors."
Kishan Rana, Former Indian Ambassador to the Federal Republic of Germany

"The clarity of its argument and the quality of the research underpinning it, as well as the elegance of its writing, make Geoffrey Pigman's work an essential book for students and scholars interested in the dynamics of diplomacy in the post Cold War world."
Erik Goldstein, Boston University

From the Back Cover
Contemporary Diplomacy offers a comprehensive introduction to the changing actors, venues, processes and functions of diplomacy in the 21st century.

The book is divided into two main parts: part I focuses on diplomatic actors and venues: from the traditional nation-state actors of classical diplomatic studies to newer types of actor, such as multilateral organizations, supranational polities, global firms, civil society organizations and eminent person diplomats. Part II examines diplomatic processes and functions, reconsidering the core diplomatic functions of representation and communication in light of new communications technologies and the increased importance of public diplomacy. It looks in-depth at specific functional areas of diplomacy - including economic, military and security, and cultural diplomacy - and how they are managed. The concluding chapter reflects more broadly on the relationship of diplomatic theory to practice and considers the range of challenges facing diplomats today.

This book will be essential reading for students of diplomacy, politics, international relations and conflict studies.

About the Author
Geoffrey Allen Pigman is a member of the Faculty in Political Economy at Bennington College.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Try that
By Martin Dvorak
It was not for me, but I just opened few pages and was not able to leave the book. Intersting book especially for the students of foreign affairs

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[H904.Ebook] Download Ebook Life After Life, by Raymond Moody

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"I had a floating sensation ... and I looked��back and I could see myself on the bed below."��"I went through this dark black vacuum at super��speed." "From the moment the light spoke to��me, I felt really good -- secure and loved."��"I heard a voice telling me what I had to do -- go��back -- and I felt no fear." "It opened��up a whole new world for me -- I kept thinking,��'There's so much I've got to find out.'"

In��this fascinating book, Dr. Moody reveals his��groundbreaking study of more than one hundred people who��experienced "clinical death" -- and were��revived. Their amazing testimonies and surprising��descriptions of "death" and "beyond"��are so strikingly similar, so vivid and so��overwhelmingly positive that they have changed the way we��view life, death, and the spiritual hereafter.��Life After Death will intrigue and��offer strong reassurance to anyone who has��wondered "what comes next?"

• Sales Rank: #602058 in Books
• Brand: Brand: Bantam
• Published on: 1984-02-01
• Released on: 1984-02-01
• Original language: English
• Number of items: 1
• Binding: Mass Market Paperback
• 208 pages

Features

• Used Book in Good Condition

Review
"It is��research like Dr. Moody presents in his book that will��enlighten many and will confirm what we have been��taught for two thousand years -- that there is life��after death." -- Elisabeth Kubler Ross, M.D. -- Review

From the Publisher
"I had a floating sensation ... and I looked back and I could see myself on the bed below." "I went through this dark black vacuum at super speed." "From the moment the light spoke to me, I felt really good -- secure and loved." "I heard a voice telling me what I had to do -- go back -- and I felt no fear." "It opened up a whole new world for me -- I kept thinking, 'There's so much I've got to find out.'"
In this fascinating book, Dr. Moody reveals his groundbreaking study of more than one hundred people who experienced "clinical death" -- and were revived. Their amazing testimonies and surprising descriptions of "death" and "beyond" are so strikingly similar, so vivid and so overwhelmingly positive that they have changed the way we view life, death, and the spiritual hereafter. Life After Death will intrigue and offer strong reassurance to anyone who has wondered "what comes next?"
"It is research like Dr. Moody presents in his book that will enlighten many and will confirm what we have been taught for two thousand years -- that there is life after death." -- Elisabeth Kubler Ross, M.D.

From the Inside Flap
"I had a floating sensation ... and I looked��back and I could see myself on the bed below."��"I went through this dark black vacuum at super��speed." "From the moment the light spoke to��me, I felt really good -- secure and loved."��"I heard a voice telling me what I had to do -- go��back -- and I felt no fear." "It opened��up a whole new world for me -- I kept thinking,��'There's so much I've got to find out.'"

In��this fascinating book, Dr. Moody reveals his��groundbreaking study of more than one hundred people who��experienced "clinical death" -- and were��revived. Their amazing testimonies and surprising��descriptions of "death" and "beyond"��are so strikingly similar, so vivid and so��overwhelmingly positive that they have changed the way we��view life, death, and the spiritual hereafter.��Life After Death will intrigue and��offer strong reassurance to anyone who has��wondered "what comes next?"

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14 of 14 people found the following review helpful.
Still the Best Primer on "Near Death Experiences"
By Amazon Customer 2000
First published in the late 1970s, I believe this book is still the best introduction to the phenomenon known as the "Near Death Experience" (NDE). Whether you're a believer, skeptic, agnostic, atheist, Christian, Buddhist, Jew, Wicca--makes no difference, since the experience has been documented to happen to anyone regardless of their cultural influences or upbringing. If you have heard the phrase "near death experience" but have only a vague notion of what this entails, I urge you to pick up this book and read it--if you keep an open mind, it could change your life :)

Simply put, the NDE may give us a preview of what happens to humans when we die. I first read this book around 1985 and found it both fascinating and enlightening. It is very straightforward and even-handed in it's reporting--without religious overtones from the author, although he does draw correlations between NDE's and their possible appearance in texts such as the Tibetan Book of the Dead, the Bible & Greek philosophy. At the time of publication, Dr. Moody had only investigated about 150 cases total--since then, as the technology to resuscitate patients has improved, thousands more have experienced the NDE. The book also created an open dialogue about NDE's and many more who had kept the experience secret (for fear of being ridiculed) have come forward with their story.

If this book whet's your appetite for more on the subject (and much has been written about NDE's since) let me recommend a few more titles for continued reading:

The Light Beyond by Raymond Moody -- in my opinion, the best of his follow-up books on the subject.
On Life After Death by Elisabeth Kubler-Ross, M.D. -- One of the pioneers of NDE research & best known for defining "The 5 Stages of Grief & Dying." She & Moody were both studying NDE's at the same time without being aware of each other's research.
The Tunnel and The Light by Elisabeth Kubler-Ross, M.D. - Another collection of her writings & lectures on the subject of NDE's.

Although there are many more books on the subject (some by researchers, others by those who experienced an NDE firsthand) I always recommend these first as they are well-researched and, in my opinion, present the subject with the least amount of bias.

5 of 5 people found the following review helpful.
Makes you think
By Rensy Martinez
This book isn't proof of the after life. And I don't think that was Raymond Moody's intent was to offer irrefutable evidence of life after life, but for anyone who wants to hear stories from people who've had interesting experiences near death, they're told well in this book. As depressing as a book about death might seem, this book left me feeling positive and reignited my curiosity about the nature of our lives here. Maybe there is a life after life...

But I found it strange that everyone's personal experience was so pleasant. Seems like Raymond Moody is just telling us what we want to hear. 'Now now there's no need to worry.. Death isn't so bad" is almost what it feels like. I know I've heard about death experiences that weren't so pleasant. Why did Raymond Moody exclude the more negative experience?

Non the less, still a heartwarming and interesting book to read.

5 of 5 people found the following review helpful.
A must read if you've recently lost someone!
By Maizyrae
This book helped me heal after my mothers death December 1st. I was a wreck with grief for 2 1/2 months. I had that 1% doubt in my mind that maybe, just maybe, there wasn't a Heaven after all. I started drinking (every day)! I was a mess!
I read this in two days, and was "healed"! I felt so much better after reading it, that I gave it to someone else to read who was also grieving her fathers death.

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[B222.Ebook] Free PDF New Revised & Expanded Word Power Made Easy, by Norman Lewis

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New & Revised Word Power Made Easy 2007 paperback edition 686 pages

• Sales Rank: #1597398 in Books
• Published on: 2007
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Paperback

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0 of 0 people found the following review helpful.
Five Stars
By Mehul
Vary good

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[S451.Ebook] PDF Download The Case of the Gilded Fly (The First Gervase Fen Mystery), by Edmund Crispin

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Theater companies are notorious hotbeds of intrigue, and few are more intriguing than the company currently in residence at Oxford University. Center-stage is the beautiful, malicious Yseut, a mediocre actress with a stellar talent for destroying men. Rounding out the cast are more than a few of her past and present conquests, and the women who love them. And watching from the wings is Professor Gervase Fen?scholar, wit, and fop extraordinaire?who would rather solve crimes than expound on English literature. When Yseut is murdered, Fen finally gets his wish. Gilded Fly, originally published in 1944, was both Fen's first outing and the debut of the pseudonymous Crispin (in reality, composer Bruce Montgomery).

• Sales Rank: #737437 in Books
• Brand: Brand: Felony Mayhem Press
• Model: 3769814
• Published on: 2005-06-01
• Original language: English
• Number of items: 1
• Dimensions: 7.67" h x .52" w x 5.54" l,
• Binding: Paperback
• 241 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Eloquent
By mary corso
I definitely learned some new vocabulary words reading this book. Luckily I read it on my iPad; in book form I would have needed a dictionary close by. I like a lot of background and detail, but the characters did not "come alive" for me as they do in a Georgette Heyer book. And I will never understand poetry. At least nothing deeper than the man from Nantucket. I had to take notes to keep track of the characters, and I referred to them often. Sigh.

19 of 20 people found the following review helpful.
I'm glad I decided to read this story again.
By J. Lesley
It has been a long time since I first read The Case of the Gilded Fly and I'm really glad that I found some time to sit down and enjoy it again after all these years. That is one of the things I love so much about these old, classic mysteries. No matter how much time has passed the story always seems just as exciting as it was the first time around. Modern mystery writers could do themselves a huge favor by immersing themselves in writings of the 1930's, 40's and 50's.

Gervase Fen is an Oxford don who specializes in English literature but really wants to work on murder cases. His longtime friend, Sir Richard Freeman, Chief Constable of Oxford, really wanted to study and critique English literature. These two made wonderful counterpoints because they both wanted to concentrate most on the thing the other did for a living. These two characters are wonderfully written by Edmund Crispin. Mainly, for me, because we get to see the best of both professions but given to us from the point of view of the character we would not necessarily expect.

The book opens in a most clever way. All the characters make the railway journey from London to Oxford within days of each other. Each is described during the train trip in wonderful detail concerning their reasons for going to Oxford and the reader is thoroughly acquainted with the characters by the time they all arrive at their destination. Because of the abrasive nature of one character, it is pretty obvious who the murder victim will be but Crispin takes his time leading up to the murder. By the time it happens, you are very much in sympathy with whoever decided to do this person in and Fen's quandry about whether or not to prove the person guilty is rather easy to understand. Because, Fen does know immediately who the murderer is. I, on the other hand, was not so quick off the mark. I had someone else chosen and resolutely hung on to that person until the bitter end.

Crispin has the Gervase Fen character utilize his vast knowlege of English literature very extensively. Sometimes, it can be somewhat confusing to someone (such as myself) who has only a basic smattering of knowlege of the subject. Still, one of the references did prompt me to do a little research to seek out the quote and read it in its entirety. I must confess that I find myself still scratching my head to try to decide if I think the (first) murder could have taken place in just that way. Wow, what a marksman! and on the spur of the moment too! Also, the motive for the first murder seemed to be rather weak for my taste. I would have liked for a weightier matter to have been the catalyst from which this malevolence sprang.

I love these old mysteries. I think they contain huge doses of character and charm. I really like to set aside uninterrupted time to fully involve myself in the atmosphere of the story. If this sounds like something you enjoy also, then Edmund Crispin could be just the author you are looking for. If you've already met Fen, Mrs. Fen and the little Fen consider going back for another time to a world which probably never existed anyplace outside mystery fiction but which I sincerely wish I had inhabited, even if just for a short time.

5 of 5 people found the following review helpful.
Excellent
By Mary B.
This is typical Crispin, with the added joy of a glimpse into the inner workings of an English repertory company putting together a new play. I deducted a star because of Crispin's compulsive use of obscure words, but I must admit I like his books partly because of his precise, loving use of the English language. Without the Kindle's instant access to the dictionary, it'd be irritating, and even with the dictionary you don't always get a definition because the words are so very obscure. Other than that, it's a by-the-numbers Golden Age mystery that should satisfy fans who love Christie, etc.

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Robert Smithson: Learning from New Jersey and Elsewhere, by Ann Morris Reynolds

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Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In Robert Smithson, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson's working life -- magazines, postcards from other artists, notebooks, and perhaps most important, his library -- from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson's art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time.A central focus of Reynolds's analysis is Smithson's fascination with the blind spots at the center of established ways of seeing and thinking about culture. For Smithson, New Jersey was such a blind spot, and he returned there again and again -- alone and with fellow artists -- to make art that, through its location alone, undermined assumptions about what and, more important, where, art should be. For those who guarded the integrity of the established art world, New Jersey was "elsewhere"; but for Smithson, "elsewheres" were the defining, if often forgotten, locations on the map of contemporary culture.

• Sales Rank: #1907427 in Books
• Published on: 2002-11-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 8.00" l, 2.83 pounds
• Binding: Hardcover
• 408 pages

From Library Journal
Basing her study of leading Sixties artist Robert Smithson (1938-73) on a collection of his personal papers and his library, which were donated in 1987 to the Smithsonian Institution's Archives of American Art, Reynolds (art & art history, Univ. of Texas, Austin) focuses on the historical and ideological thinking of the 1960s and early 1970s in an effort to delineate Smithson's complexity, both artistically and philosophically. Smithson challenged the established art world's narrow vision and limited boundaries: for him, New Jersey became the prototype of "elsewhere," a place where he could create works for specific sites while engaging the outside, natural world in the creative process. Reynolds allows the reader to follow Smithson's process of creation through his own notebooks and sketches, his interviews and articles, the images he clipped from magazines, and the photographs he took. This admirable project, however, is studded with jargon and an idiosyncratic approach that may baffle the reader. Extensive notes and epigraphs are included, and the bibliography lists Smithson's library, itself a fascinating study of the artist. For large academic art collections.
Paula Frosch, Metropolitan Museum of Art Lib., New York
Copyright 2002 Reed Business Information, Inc.

Review

"This is a breathtaking book. Listen to history as it stands up and shouts. Feel the mind spin and snap as Reynolds' analysis of the hidden world of Smithson's previously silent archive grows exponentially. No worn out platitudes of contemporary theory and art history here -- instead, showering crystals of original material and virtuoso revelation. Robert Smithson: Learning From New Jersey and Elsewhere sets a new standard of scholarship. It is essential reading for anyone interested in Smithson, the 60s, contemporary art, film studies, and the roots of critical postmodernism."--Thyrza Nichols Goodeve, New York University, and author of *How Like A Leaf: An Interview with Donna Haraway*

Twenty-nine years after Smithson's death, entropy hasn't set in yet. Ann Reynolds mines the fertile lode of his archives and lesser known works with meticulous scholarship and rigorous analysis. This book offers a fresh, complex, and compelling view of one of the twentieth century's most provocative (and provoking) artists.

(Lucy Lippard, author of On the Beaten Track: Tourism Art and Place)

"A useful and thoroughly entertaining book." Carter Ratcliff Art in America

"Reynolds has revitalized not only an important and little-researched moment in Smithson's career, but also—and perhaps more significantly—a crucial event in the history of art practice in the U.S. and beyond." Alex Alberro, Department of Art History, University of Florida

From the Inside Flap
"Twenty-nine years after Smithson's death, entropy hasn't set in yet. Ann Reynolds mines the fertile lode of his archives and lesser known works with meticulous scholarship and rigorous analysis. This book offers a fresh, complex, and compelling view of one of the twentieth century's most provocative (and provoking) artists."
--Lucy Lippard, author of On the Beaten Track: Tourism, Art and Place

"This is a breathtaking book. Listen to history as it stands up and shouts. Feel the mind spin and snap as Reynolds' analysis of the hidden world of Smithson's previously silent archive grows exponentially. No worn out platitudes of contemporary theory and art history here -- instead, showering crystals of original material and virtuoso revelation. Robert Smithson: Learning From New Jersey and Elsewhere sets a new standard of scholarship. It is essential reading for anyone interested in Smithson, the 60s, contemporary art, film studies, and the roots of critical postmodernism."
--Thyrza Nichols Goodeve, New York University, and author of *How Like A Leaf: An Interview with Donna Haraway*

"Reynolds has revitalized not only an important and little-researched moment in Smithson's career, but also -- and perhaps more significantly -- a crucial event in the history of art practice in the U.S. and beyond."
--Alexander Alberro, School of Art & Art History, University of Florida

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[O825.Ebook] Ebook Secrets of Macarons, by José Maréchal

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Secrets of Macarons, by José Maréchal

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Equips the reader with the skills to master nine classic flavors,�then create their own signature macarons�

Now a worldwide symbol of sweet indulgence, macarons seduce the senses with their delicate crunch and velvet filling, and in this book, French chef Jos� Mar�chal discloses the secrets of making these little treats. Using the tips and techniques provided, readers will master the nine basic flavors: plain, vanilla, chocolate, pistachio, strawberry, raspberry, lemon, caramel, and coffee. Building upon the basics of this crisp yet tender, sweet, cooks will go on to customize them with fresh fruit, colored sugar, painting the shells, using gold leaf, and more. Recipes include dual measurements.

• Sales Rank: #471770 in Books
• Published on: 2012-06-01
• Original language: English
• Number of items: 1
• Dimensions: .60" h x 5.60" w x 7.70" l, .70 pounds
• Binding: Hardcover
• 112 pages

About the Author
Jos� Mar�chal is a French p�tissier who runs Caf� Noir in Paris and the author of Irresistible Macaroons.

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10 of 14 people found the following review helpful.
Wow!!
By Millie
I have bought several books on making Macarons and this one is one of my favorites. I love the recipes and the pictures are breathtaking. Love it!

0 of 0 people found the following review helpful.
The most balanced Macaron book yet
By rathwulf
Quite interesting book, explains the basics from Almond Meal to Egg Whites and provides a interesting viewpoint. One thing he omits but you must understand and take advantage of is the use of a copper bowl to whisk the egg whites. Also has basics for several recipes based in meringue: Italian, French, and macaron evolution from Amareti to Macarons de Nancy.

The only thing I would object is that it doesnt explain in detail macaronage for french meringue: ribbon stage, form an fluid 8, tip must dissapear within 10 seconds of dropping the batter.

And for Italian Meringue slow ribbon, tip must dissapear within 15 seconds.

But this are things I prefer to view in a video, still great book and great take on such a classic dessert.

0 of 0 people found the following review helpful.
With this info success is no secret.
By S. Harris
Wonderfully explicit with technique details.

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[G939.Ebook] PDF Download Unhooked: How to Quit Anything, by Susan Shapiro, Frederick Woolverton

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Is smoking, alcohol, drugs, food, gambling, the Internet, or sex holding you back from living a full life?
We're all addicted to something--but when the crutch gets in the way of living a happy and productive life, it must stop. Over the last twenty-five years, renowned addiction therapist Dr. Fred Woolverton has used his dynamic, empathetic approach to help thousands of addicts achieve long-term recovery--including himself and his coauthor Susan Shapiro, whom he helped quit smoking and drinking and find success in both love and her career. �Dr. Woolverton views the external habit as less important than the chaos and fear underlying the addiction, which we use to regulate our feelings. The solution, he has found, is easier than we think.
Unhooked: How to Quit Anything �is a smart, readable, and actionable guide to conquering any addictive habit. Using real patient examples as well as research and his own experience, Dr. Woolverton shows us how to thrive without self-medicating. His approach is an unorthodox blend of straight forward changes to behavior and open and honest conversation with another person. His specific instructions do not require an expensive therapist, rehab, 12-step program, or a higher power (but he does make readers aware of those viable options). Let Dr. Woolverton help you kick your addiction and move on with your life today!

• Sales Rank: #566449 in Books
• Published on: 2012
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 5.60" w x 5.50" l, .67 pounds
• Binding: Paperback
• 224 pages

Review
“Doctor and former patient join forces in this guide to kicking addiction, from heroin to shopping. Woolverton, founder and director of the Village Institute for Psychotherapy, has worked with addicts for 25 years. Even as a successful and self-aware professional, it was when he quit smoking that he gained crucial insight: “I had to let myself suffer, figure out where it was coming from, and figure out what that pain was trying to tell me.” The importance of taking those steps in that order is emphasized throughout; Woolverton bolsters his argument by noting that’s why 12-step programs work. Addicts “need to be told to stop right now or they might die”; afterward, self-exploration supports lasting recovery. Former patient and coauthor Shapiro can attest to this: 10 years ago, Woolverton helped her quit alcohol, marijuana, and cigarettes. She’s since discovered a passion for writing and published seven books. Her example and other case studies illustrate how Woolverton’s approach has worked for real people—and Woolverton’s willingness to share his own personal struggles add authenticity. Those stories and their positive message, combined with the authors’ concrete steps for identifying destructive behaviors and seeking help, make for a valuable, hopeful read.” (Publishers Weekly)

About the Author
Susan Shapiro became addicted to her shrink—Dr. Woolverton—when he helped her quit twenty-seven-year smoking and drinking habits and start writing successfully. Her work has appeared in the New York Times, Washington Post, Los Angeles Times, Newsweek, and�People, and on Salon.com. She is the author of seven books, including Five Men Who Broke My Heart, Speed Shrinking (currently optioned for films), and the memoir, Lighting Up, about her successful addiction therapy. She is a journalism professor who teaches the popular “instant gratification takes too long” writing method at the New School, New York University, and in private workshops and seminars. Visit her at www.susanshapiro.net.

Dr. Frederick Woolverton is a clinical psychologist who has specialized in treating addiction patients for the past twenty-five years. He is the founder and director of the acclaimed Village Institute for Psychotherapy in New York City and in Fayetteville, Arkansas. He was the former clinical director of the Baldwin Council Against Drug Abuse, has published numerous papers on substance abuse, and has created nationally adopted courses on the treatment of addictive disorders. His works have recently appeared in the New York Times and Psychology Today, and on AOL. Visit him at www.villageinstitute.com.

Most helpful customer reviews

24 of 25 people found the following review helpful.
Worth hooking into
By Deb
If addiction affects your life, or that of someone close to you, _Unhooked_is a great resource to hook into. With its captivating case studies, the book reads like a novel; with its clinical rationales, insights, and guidelines, it informs like a documentary.

The author--a clinical psychologist and a recovered addict himself--presents a coherent synopsis of the factors underlying addictions and the approaches most effective in treating them. Reading through the book, I was continually struck by how well the author conveyed this wealth of information. Here's just a small sampling demonstrating his ability to effectively communicate overarching principles of addiction etiology and treatment:

Addictions are more about avoiding pain than about seeking pleasure:
***Often addictions bring no joy or amusement to the user whatsoever. Instead they take away intolerable pain, depression, and anxiety, and replace it with a numbness, or uneasy equilibrium that make mere survival seem possible. Substances often function as self-medication for an addict's usually undiagnosed distress. (p.63)
***Substances succeed in self-medicating only for short periods of time. A common misconception about addicts is that they are hedonistic pleasure seekers. This is not the case. Most addicts do not use to seek pleasure. They are people out to avoid terrible pain. They use not for fun, but often just to feel okay and get through the day. (p.113)

Substances serve as human stand-ins:
***Addicts often have an infantile need for the attention and safety they never felt from their parents. They have turned to their substances as a stand-in for soothing. So when they quit a substance dependency, they revert back to the age they were when they started using. A young and palpable hunger for love comes out. (pp.88-89)
***Many addicts were disappointed by adults early on and thus had no confidence that they were being protected. Since their own internal voices failed to reassure them or make them feel secure, they turned to substances to manage bad feelings. (p. 59)
***Many people with substance problems feel empty because they have not been nurtured or fed well at home. They yearn to feel love and cared for. Deep down, that's what they're really after. (p.82)
It's a paradox not uncommon to addicts who crave closeness but often give up on people in favor of substances, which are less likely to cause disappointment and are much easier to control. (p.121)

Addictions become barricades:
***Addictions inhibit emotional intensity, artistic urges, and love. They act as blockades, often keeping users from being deeply involved with the people they care about or from becoming as powerfully creative and successful as they could otherwise be. (p.107)
***[Addicts] artificially soothe themselves with a quick hit while stunting their long-term emotional growth and success. They miss opportunities that could lead to expanding experience, understanding, and greater intimacy with others in their world. (p.104)

What ultimately heals:
***Most addicts use substances because they don't want to suffer and hope to avoid feelings of anger, sorrow, pain and discomfort...Living well, even suffering well, are more attainable goals than being happy. (p. 109)
***Along with external changes, it is also essential to get to the inner roots of a substance problem. To stop it, you have to figure out what hurts so much that makes someone need to self-medicate many times daily, often for decades. (p.204)
***A large part of all addicts' recovery involves feeling intense sadness...They have to confront a huge empty space inside. (p.207)
***Once a specific addiction has ceased, if you don't deal directly with the underlying emotional problems that caused it, you'll simply switch addictions. (pp.147-148)
***The point of addiction therapy or AA is to give addicts the language and skills to unravel the rage and confusion brewing beneath their bad habits. (p.206)
***[Addicts] eventually have to transfer [their substance dependency] onto a human being that can be depended on. (p. 206)
***What hurts people most are secrets and lies, and what finally heals is honesty. One has to find a way to live *with* the truth, not fight against it. (p.110)
In order to get and stay happy and healthy, it is necessary to lead the least secretive life that one can. (p. 206)
***You have to start taking care of yourself the way you wish someone else would take care of you. (p. 118)

_Unhooked_ is both a great read and a great resource. It's even a bit difficult to put down at times--quite appropriate for a book on addictions!

17 of 17 people found the following review helpful.
A Recovery Classic with Real Clout
By jerelle
If Amy Winehouse and Jimi Hendrix had read Unhooked, they'd likely be with us today. Both authors of this book are intimate with the terror of addiction and the triumph of recovery, so you trust them immediately. Dr. Wooleverton, a former cigarette addict, is the eminent substance abuse shrink who helped author/professor Shapiro quit her 27-year, two-pack a day habit.

Unhooked delivers poignant tales of real people who've recovered from fierce addictions to everything from drugs and sex to tattoos and Facebook. Shapiro is candid about her myriad former crutches: dope, Diet Coke, shopping, shrinks, booze, gum, pills, and cupcakes. And many of the examples recounted here are extreme enough to make your own horrors feel conquerable.

The core theme--that all addictions are coping mechanisms for deeper psychic issues--is deftly documented. And the periodic self-quizzes are effective in helping us learn why we self-medicate. Unhooked's tight, lively writing; its solid, valuable advice; and its powerful, mesmerizing case studies had me hooked throughout.

25 of 27 people found the following review helpful.
Not a fan
By Not a Fan
I read this book because Susan Shaprio was the co-author. I was pretty disappointed. I had bought this book thinking it was more a self-help/reflection type of book. I found this book to be more about the author's case studies and personal achievements with his career and patients, rather than enlightening or inspiring on a personal level. Disappointed.

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